A few of the publicized particulars:
- in it's present manifestion, this one is being sold as Hannah Hysteria
- based on a 3D version of a sellout concert tour
- featuring 15 year old Miley Cyrus and her TV alter Hannah Montana
- at the time of it's birth, the future hysteria began as a Disney series chronicling the life of a teen pop star who by day was pursuing "a normal life" attending school where classmates were clueless to the double life the star lived by night.
- these particulars come by way of the story headlining the front page of the 'Life' section, itself found in the back section (section D) of today's local paper.... backpage headlines, if you will, a story that includes helper video byte photos. The front page of the newspaper itelf includes a helper pointer at the very top pointing viewers to where inside they can find the story of Hanna Hysteria, with sub headline "Local teenage girls flock to film". Here is the photo found on the front page of section D. Please note the specimen 5 year old girl used in the photo to supplement the story said to be about local teenage girls flocking to the hysteria in question. Did I blink and somehow miss 5 year olds being thrust into the envelope pushing the age of teens?
The story as I found it can be found at the link below. My comments to this story are given for several reasons. For starters, it seems important to provide a copy of what this - a new story, looks like today while it is still apparently on the upside - as in upwardly mobile and adorably marketable upside, in contrast to the recent series of ongoing trevails that is the chronicled flame out of a previously soaring, adorable and highly marketable child product; Britney. This seems especially important because of the likliehood that somewhere in the not too distant future, perhaps 5, 10, 20 years removed, somebody, somewhere, will find the nerve to publicly exclaim something like "what went wrong"..... " I tried so hard to be a good parent"...... "why is my once famous child now acting in bizarre ways that are really not all that different from the bizarre ways they've always been trained to act and be paid well for in the past....but is apparently no longer quite so marketable?". This may be relevant to any of the rats presently in training in the specimen generation documented herein, from the adorablly fashion-conscious five year old fan, to the more typical teenaged fans also flocking to local movie theaters, their willing parents, and down to the very marketable Hanna herself. Fan, afterall, is an abbreviation for fanatic. This simple fact seems to be lost often on people who have been trained to litter their lives with all manner, forms and styles of abbreviated thinking and the subsequent behavior, speaking and and acting that results from same.
There are significant particulars less well published but well documented nonetheless as pertains to the world of Disney. Some of these have previously been posted right here in CZ forums. The history of the Disney world now reaches as far back into the history and traditions of American culture as predating by several years the introduction of Dopey, Happy, Bashful, Sleepy, Grumpy, Sneezy, and Doc as names - avatars if you will, pleasing to children while covertly symbolizing the Scandinavian demonic dwarfs they were based upon - Toki, Skavaerr, Varr, Dun, Orinn, Grerr, and Radsvid. Disney, after all, was no garden variety creator of highly marketable hysteria and attendant fanatics found therein.
Around the edges, these rats in training are already manifesting odd behavior for those willing to see such. Where is the mystery? Take Hannah as a for instance. Sure, adorning with makeup, wardrobe accessories, and posture lessons, around the edges they can certainly soften and partly cover up the image of a sociopathic star tramp & diva in the making. As a society made up of people who really care, do you really need to wait for the passage of another 5, 10, 20 years, only to then be prompted by the media when they present updated pictures attached to updated sad storytelling that tells of how this story has finally been recognized by the publilc as one that somehow, somewhere went wrong? The facts are already clear, right now, today, right here, that there is already something wrong in all of this. Would somebody like to take a whack at explaining why we are obligated to wait, why are we obligated to not notice now, why must we allow these kinds of stories to grow and fester before voicing observations to this effect?
excerpted from the beginning section of the chapter - The Disney Bloodline. The names of a few prominent characters have been highlighted.
While Hollywood was immersed in moral filth from the start, Walt Disney Studios had strict standards. In the 1930’s, Disney had a dress code that required men in ties, and women in sober-colored skirts. If a man looked lecherously at a woman at Walt Disney Studios he risked being instantly fired. Walt was a shining example of the strictest legalism. Even during the ’50's, if an employee were caught saying anything considered a cussword such as "hell" they were instantly fired no matter who they were. Walt would not allow his male employees to have any facial hair, even though he himself sported a mustache. He never allowed employees to have alcohol at the studios, (which might be a noteworthy standard except that Walt himself drank heavy amounts of alcohol in his private office at work for decades). Initially, Walt was very reluctant to have his young artists, who were being trained by Don Graham, draw live nude models, but reluctantly gave approval.
Again the motive was not to serve God, but to make sure the Disney reputation remained untarnished. With the power of the establishment media behind Disney, Walt had nothing to worry about, news about the nude drawing classes and their detailed drawings never reached the light of day. Behind such strict fronts of legalistic morals, cleanliness & soberness, you will often find lots of guilt and high level satanic ritual. For instance, Hitler (who was by the way also a failed artist & who liked mechanical things more than people) obsessively washed his hands many times a day (out of guilt), and so did Walt Disney. Walt obsessively washed his hands several times an hour, every hour. Walt liked animals & his trains more than people. This author has seen some alters who were forced to take another human’s life, and when they relived the memory, the alters then tried to physically wash the blood guilt off of their hands. Another example is that over the years this author has discovered that many of the exclusive restaurants that are meticulous in every detail are tied in with the mind-control and criminal activities of the elite. Dirty money is keeping the places looking sparkling clean.
Walt Disney worked very hard at maintaining a great image for himself and his company. An example of this, is how he exploded in rage and wrote an angry memo when a Disney character was placed in a beer ad. (Memo mentioned in Thomas, Bob. Walt Disney An American Original. Hyperion, 1994, p. 7.) He had a personal image builder, Joe Reddy, who worked full time to build Walt’s image. Joe Reddy was a cigar-smoking irishman who loved the catholic college Notre Dame’s football team. He also was a publicity agent for Shirley Temple. But the Disney deception entails far more than Joe Reddy’s decades of image making, and Walt’s own abilities to create good images of himself. Just as with Billy Graham (see Vol. 2 about Billy Graham), the entire Illuminati threw their weight behind promoting Walt Disney. Ronald Reagan and Walt Disney were good friends and both cut from the same die in many ways. Both men were high ranking Freemasons, both came from socialist backgrounds (Ronald’s mother was Eleanor Roosevelt’s best friend, & Walt’s Dad was a socialist leader), both were paid FBI informants, and both were involved heavily in the abuse of mind-controlled slaves. Walt always generously supported Reagan’s political campaigns, and in turn Reagan did political favors for Walt as Gov. of California. For instance, Disney’s Mineral King mountain resort needed an access route through the Sequoia Nat. Park at a time when there was lots of congressional pressure to preserve the last stands of redwoods. Gov. Reagan got his friend Disney his road through the park.
Reagan served as the emcee for the opening day of Disneyland on July 17, 1990. He returned with Illuminati TV host Art Linkletter for the 35th anniversary. Ronald Reagan & Art Linkletter both pumped Disney publicly. Another slave abuser that spent time with Disney was Bob Hope, who would spend time on the golf course with Walt. On the opening day’s telecast, cameras showed Sammy Davis, Jr. (a member of the Church of Satan) and Frank Sinatra (a mind-control slave handler) driving the pint-sized Disney ears at the Autopia ride. When Disney celebrated its fifty yr-anniversary with a two hour special on May 20, 1991, the program included people like occultist Bill Campbell and was named "Best of Disney, 50 Years of Magic." For the silver anniversary of Disney World in Oct. ’96, the Clinton’s were invited to help open 15 months of celebrations. The theme of the anniversary celebrations was "Remember the Magic". A Boy’s & Girl’s Club sang ‘When you wish upon a star’ (a popular programming song). Hillary Rodham Clinton (herself an Illuminati Grand Dame and a mind-control programmer) shared with the audience that she and Bill "first brought daughter Chelsea to the Magic Kingdom when she was four." Roy E. Disney, nephew of Walt, told the public that Disney World "is the story of men and women who took hold of a dream and never let go." There is a double meaning to that. Many victims of trauma-based mind-control have taken hold of the illusions that were programmed into their mind secretly at Disney, and never let go.
Among the visitors to Disneyland have been all the American Presidents from Eisenhower to Clinton, over a dozen kings & queens, as well as Emperor Akihito of Japan, Anwar Sadat, and Robert Kennedy (who rode the Matterhorn with astronaut John Glenn.) Both Denmark’s & Belgium’s kings who are in the Illuminati visited, as well as the dictators of Indonesia, the Shah of Iran and Ceausescu of Romania. (As a side-note Roy E. Disney was forewarned by Arab leader that the Shah was to be deposed.) Organizations that have been actively working for a New World Order for many years gave big awards to Walt in his early years such as the B’nai B’rith (Man of the Year Award to Walt) and the Chamber of Commerce. In 1936, Walt was given the Chamber of Commerce’s annual ,,Outstanding Young Man" award. The establishment’s Yale & Harvard Universities gave him honorary degrees. Walt Disney biographer Leonard Mosley, who researched Walt Disney for years (as well as writing books on the duPonts, the Dulles brothers, and Hirohito) wrote in his book on Walt Disney, "The studio publicity machines in the film colony had, as usual, gone out of their way to try to persuade me, as a writer for a powerfully influential British newspaper, that this was a city of lawless gods and goddesses, full of clean-living, sanitized stars.
"It was even more of a deodorized world at the Walt Disney Studio where the publicity men insisted their boss was faultless--never drank too much, never used a swearword, never lost his temper, never quarreled with his wife or family, never let down a friend. And woe betide anyone who tried to suggest otherwise. Members of the resident foreign and local press risked their jobs if they dared to write stories inferring that Walt Disney could be domineering, implacable, and unforgiving (as was the case, for instance, before, during, and after the 1941 studio strike). The Disney flacks were capable of exerting heavy pressure on editors and proprietors or, through the advertising pages, against anyone who inferred Walt Disney was not the epitome of well-scrubbed and benevolent perfection." (Mosley, Leonard. Disney’s World. New York: Stein & Day, p. 10.) Disney is perhaps the epitome of Illuminati abilities to create images. They have created great images for things Disney, incl. Walt Disney, Disney movies, and Disney’s Amusement parks. In some cases these things have been overrated, in other instances the sinister side to them has been carefully hidden. In order to make movies that contain the typical smut of Hollywood, sex and violence, Disney did a slight of hand and created subsidiaries which Disney runs, which has allowed them to keep their good image. They also never showed the public the hard core porn that was made for years in secrecy for the elite.
Behind Disney’s good front lies hard porn, snuff films, white slavery, Illuminati mind-control, and the seduction of several generations into witchcraft. Disney’s involvement in these kind of things will be explained in this chapter. Nobody has sold America witchcraft as well as the Disney brothers. Movie after movie has cleverly brought the occult into the warp & woof of American thought, all under the disguise of entertainment. For instance, it was Disney that brought us cannibalism and told us that it was a "triumph of the human spirit" (a direct quote from Disney’s Touchtone Producer Robert Watts concerning Disney’s movie "Alive" featuring survivors of an airplane crash who turned to cannibalism). Under the disguise of entertainment & showing us how "triumphant" the human spirit was, they subtly promoted cannibalism. Mickey Mouse plays a leading role in "The Sorcerer’s Apprentice." And yet when this author has suggested that Disney movies aren’t wholesome, many Christian parents come unglued and have gotten angry with this author. The deceptive image that Disney movies are wholesome is a triumph in Illuminati deception. Parents would be surprised what is slipped into cartoons. In Disney’s "The Little Mermaid" the castles are male sexual organs. In one cartoon Mighty Mouse is shown without comment clearly snorting cocaine. Walt Disney Studios Chairman Joe Roth is in charge of Walt Disney as well as subsidiaries Touchtone, Miramax, and Hollywood Pictures, which were all created to camouflage the Disney production of adult films. Disney operates in a clandestine manner regarding the promotion, distribution and rating of the films produced by their subsidiaries.
Roth oversaw Disney’s subsidiary Hollywood Pictures’ Evita film. Evita has as its main start "Material Girl" Madonna. Madonna is in reality a mind-controlled slave who has appeared in numerous underground porn/& ritual porn movies. (This author has an underground catalog from a porn business, that has recently changed its location of business. The catalog offered a film of Madonna performing an actual blood sacrifice.) She also was the main actress in Disney’s Dick Tracy film which is reported to be used for mind-control. During an Arsenio Hall show, Madonna, who as a guest acted dissociative, was picked up by the cameras during the show kissing her Baphomet ring. Disney controls the products that are associated with the movies of their subsidiaries. In Evita’s case they are marketing hats and other items, as just one more of Disney’s countless artificially generated consumerism campaigns. In Ruth Stein’s interview of Madonna, Madonna appeared bored with plugging Disney’s consumer products. When asked about the tango dresses and hats inspired by Evita that popped up in stores after the film, Madonna said, "Believe me, I have nothing to do with it. Disney is pushing the whole thing." (San Francisco Chronicle, 12/29/96, Datebook section). In one interview Madonna states she wants her daughter to grow up knowing Catholicism, but she doesn’t believe that it would be good for her daughter if Madonna married the father of her child from Lourdes, Carlos Leon. In another interview, Madonna says, "Actually, I’m a very good role model, because I say, ‘Look, these are my standards’..." She then goes on to plug homosexuality, same sex marriage, and single families in the interview. Walt Disney stated that it plans to release an album by DANZIG, a heavy metal band whose songs contain "dark themes". The Disney press release announces on its by-line "Mickey Mouse is going heavy metal." Disney’s album ,,BLACK ACID DEVIL" was due to hit the music stores Oct. 30, 1996 during Halloween time. According to Disney this music has no satanic references, but does have "dark, Gothic and sexual" overtones. Glenn Danzig denies that he is a satanist.